At approximately 130 sqm, the flat was redesigned with a modern luxe, contemporary approach. Soft, calming tones and layered lighting establish a sense of serenity throughout, while thoughtful spatial planning ensures the home flows naturally with daily life.
Arrival is given its own moment. A full-height cabinet at the entrance creates a deliberate sense of transition, one side functioning as a foyer with shoe storage, the other concealing the fridge and wine chiller as the space opens into the kitchen. The extended kitchen leads to a movable island that doubles as a dining table, tucking away when not in use and drawing guests in when it is. Anchoring the dining area is one of the home’s most quietly compelling details: a panel of tiles the homeowners had been drawn to during the selection process, framed and mounted on the wall until it reads entirely as a painting.
Restraint defines the living areas. A minimal TV feature wall gives way to an L-shaped ceiling detail with gently curved edges, introducing soft ambient light while echoing the rounded language found throughout the home. Off the living area, a study offers a quieter rhythm, its sliding lattice door filtering light without closing the space off entirely, and an arched niche displaying a well-travelled shelf collection while quietly concealing the aircon piping behind it.
Deeper into the home, both bedrooms share the same calm, unhurried mood. The master is anchored by a taupe limewash bedhead wall and round cove lighting. The second bedroom follows a similar language, its rounded ceiling details and warm tones making it equally restful, doubling as a space for morning stretches and quiet moments. The extended master bathroom, accessible from both the bedroom and hallway, feels like a retreat of its own, with terrazzo shower surfaces and a serene palette that invites stillness.
Every curve, every concealed pipe, every fall of light was considered. This is a home that honours its past, and has been thoughtfully made for whatever comes next.
(2 SEP 2025)
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